Framing Your Art Work

Purchasing framed art to many can even affect the decision they make in purchasing the artwork itself. However art is fairly simple to frame and is relatively inexpensive. Many of the art frames can be purchased to match your décor and/or other artwork adjacent. There are endless amounts of choices when it comes to finding the right frame online or offline.

My personal preference is to purchase my artwork of choice without the frame if given a choice. As beautiful as the painting might be, the artist and myself might have opposing tastes when it comes to framing. If you can find the artwork with a frame you enjoy then that is a bonus. If you are purchasing an unframed work directly from the artist it never hurts to ask if they have a connection to get you a good priced frame. Artists that sell a lot will not purchase frames at a premium price. They usually have a friend or a good business connection that deals with frames, so talk to him or her and see if you can get you a discount. It never hurts to ask.

If you prefer to look for yourself then I’m sure you will agree that there are several professional framers in your area. As with any service or profession some are good and some are not so good. Shop around for the best service, best price, and look for value as you would for any other product or service.

If you know your frames you will not hesitate to purchase an ugly painting as long as the frame is worth the asking price. This is more on the lines of bargain hunting. So for most of us we will not be buying a frame to resell it for a higher value, we are simply purchasing it to enjoy the painting.

Below are just a few tips to help you choose your frame.

Size – Making any sized frame "work" with a piece one must ultimately control the proportions with matting. A wide frame requires more matting than a narrow frame.

Style – by looking at your artwork you will see how the coloring, theme and medium will most often direct you toward an appropriate selection of frames. Generally the frame should go with the theme, medium and style of the artwork. If you are still having a hard time with choosing your frame you can also use the décor of your room in which the piece will hang as your guide.

Type of wood frames will look good on almost any piece of art. We use walnut, cherry, oak, ash, basswood, poplar, and pine - all domestic woods - in our frames. Stained wood can be plain, carved, simple or ornate. And, many wood frames are available in lacquer finishes, faux finishes, and gold or sliver leaf. Metal frames, which work well with certain décor, or with modern pieces and posters is often a good choice

7 Ways To Ensure Your Artwork Is Print Ready

The following article provides a quick guide on what to think about when preparing your artwork for printing.

It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.

1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your product.

2. Bleed
Bleed is the extra bit of the design page which you design on, as normal, with the knowledge that it will be trimmed off the finished flyer. Any images on your artwork should bleed off the page, and essential text should be away from the trim edge by a good few mm's. We use a 2mm bleed area on each edge.

3. Text
Keep essential text away from the edge of the flyer, by about 8-10mm for best results.

4. Print Resolution
Ensure your artworks resolution is at least 300dpi. The higher the resolution the better.

5. File Formats
If you are using un-common fonts, ensure you supply your artwork as a flattened jpeg or tiff. This will ensure there will be no font problems when your artwork is checked. The most commonly accepted program formats are Quark, Illustrator, Photoshop, Corel Draw, Corel Paint, Freehand, InDesign and Paint Shop Pro. Vector files such as .eps and pdf's are becoming more common and ensure a better end product.

6. Colours
Unless you have a calibrated monitor your artwork is likely to have slightly different colours when printed. Ensure your colour choices are correct before sending to print.

7. A Final Check
Before sending to your printer, have one more final check that everything is as expected.

WARNING
There are two things you should consider when designing your flyers:

Due to the quick turn around of our flyers, they are trimmed down not long after they are printed, in most circumstances we try to give a printed sheet 8 hours to dry completely, this isn't always the case. This is noticeable when one side of the flyer is left white, and the other side bleeds rich colour to the trim edge. This will cause slight powdering of the rich ink over, on to the white side. In this circumstance we recommend the use of borders.

Borders on the edge of a flyer, can sometimes give the flyer a classic look. But make sure the borders are a good few mm in from the trim edge, because of the way we print flyers (up to 32 at a time) and the speed at which we turn them round (from payment, to your door) these borders may not be an accurate trim to the exact 10th of a mm. This is why we ask for a 2mm bleed. The cutting blade could go either way. We cannot be held responsible for imperfect results if these borders are slightly uneven.