Framing Your Art Work

Purchasing framed art to many can even affect the decision they make in purchasing the artwork itself. However art is fairly simple to frame and is relatively inexpensive. Many of the art frames can be purchased to match your décor and/or other artwork adjacent. There are endless amounts of choices when it comes to finding the right frame online or offline.

My personal preference is to purchase my artwork of choice without the frame if given a choice. As beautiful as the painting might be, the artist and myself might have opposing tastes when it comes to framing. If you can find the artwork with a frame you enjoy then that is a bonus. If you are purchasing an unframed work directly from the artist it never hurts to ask if they have a connection to get you a good priced frame. Artists that sell a lot will not purchase frames at a premium price. They usually have a friend or a good business connection that deals with frames, so talk to him or her and see if you can get you a discount. It never hurts to ask.

If you prefer to look for yourself then I’m sure you will agree that there are several professional framers in your area. As with any service or profession some are good and some are not so good. Shop around for the best service, best price, and look for value as you would for any other product or service.

If you know your frames you will not hesitate to purchase an ugly painting as long as the frame is worth the asking price. This is more on the lines of bargain hunting. So for most of us we will not be buying a frame to resell it for a higher value, we are simply purchasing it to enjoy the painting.

Below are just a few tips to help you choose your frame.

Size – Making any sized frame "work" with a piece one must ultimately control the proportions with matting. A wide frame requires more matting than a narrow frame.

Style – by looking at your artwork you will see how the coloring, theme and medium will most often direct you toward an appropriate selection of frames. Generally the frame should go with the theme, medium and style of the artwork. If you are still having a hard time with choosing your frame you can also use the décor of your room in which the piece will hang as your guide.

Type of wood frames will look good on almost any piece of art. We use walnut, cherry, oak, ash, basswood, poplar, and pine - all domestic woods - in our frames. Stained wood can be plain, carved, simple or ornate. And, many wood frames are available in lacquer finishes, faux finishes, and gold or sliver leaf. Metal frames, which work well with certain décor, or with modern pieces and posters is often a good choice

What is a Giclee?

In the French dictionary a giclee (zhee-CLAY) will be defined as meaning “to spray or squirt.” However others might say "giclee" doesn't mean "to spray,” that "Giclee" isn't an infinitive and that it is the feminine of a past participle. So if there is some argument over what the term Giclee means I believe that the intention of the term is to define a printed copy of an original artwork. Giclee is basically scanning the artwork and then using that scan to print it out on a special printer. This printer is not the same as a standard desktop inkjet printer, and is much larger. Giclee prints are a little over a meter wide and are often referred to as a “knitting machine” as they look very similar.


Giclees are produced from digital scans of existing artwork. Also, since many artists now produce only digital art, there is no "original" that can be hung on a wall. Giclees solve that problem, while creating a whole new vibrant digital medium for art.


When printing there are any number of media for example canvas to watercolor paper to transparent acetates. Giclees are better then the traditional lithography in many ways. The colors are brighter, last longer and are so high-resolution that they are virtually continuous tone, rather than tiny dots. The range of color for giclees is far beyond that of lithography, and by viewing in comparison with each other you will find that the details are far crisper in giclee.


Lithography prints use tiny dots of four colors--cyan, magenta, yellow and black; to fool the eye into seeing various hues and shades. Colors are "created" by printing different size dots of these four colors.


Again Giclees use inkjet technology, but more sophisticated than your desktop printer. The process employs six colors--light cyan, cyan, light magenta, magenta, yellow and black--of lightfast, pigmented inks and finer, more numerous, and replaceable print heads resulting in a wider color gamut, and the ability to use various media to print on. The ink is sprayed onto the page, actually mixing the color on the page to create true shades and hues.


Giclees were originally developed as a proofing system for lithograph printing presses, but it became apparent that the presses were having a hard time delivering the quality and color of the giclee proofs. They evolved into the more popular form over lithography’s and are now the cheaper and more common way to make a copy print. They are coveted by collectors for their fidelity and quality, and desired by galleries because they don't have to be produced in huge quantities with their large layout of capital and storage.


In addition, Giclees are produced directly from a digital file that is created by scanning the original. This will save generations of detail-robbing negatives and printing plates, as with traditional printing.


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